Impressions of Eastern Europe: Prints from the Permanent Collection On view February 23–May 10, 2020 Text by Susan Chevlowe, Chief Curator and Museum Director As participants in some of the most significant art movements of the twentieth century, the 16 artists in this exhibition worked at a time of rapid change, including urbanization, secularization, industrialization, […]Read more "Impressions of Eastern Europe: Prints from the Permanent Collection"
Leonard Freed: Israel Magazine 1967–1968 On view September 15, 2019–January 5, 2020 Text by Susan Chevlowe, Chief Curator and Museum Director Leonard Freed had been living in Amsterdam for a decade when war broke out between Israel and the neighboring states of Egypt, Jordan and Syria in June 1967. In response to this news, he […]Read more "Leonard Freed: Israel Magazine 1967–1968"
From the Eastern Bloc to the Bronx: Early Acquisitions from The Art Collection On view May 5–August 25, 2019 Text by Emily O’Leary, Associate Curator The Grosvenor Gallery in London promoted artists from Eastern Bloc countries at the height of the Cold War and came to play a central role in shaping the Hebrew Home […]Read more "From the Eastern Bloc to the Bronx: Early Acquisitions from The Art Collection"
Erosion: Works by Leonard Ursachi On view July 15, 2018–January 6, 2019 Introduction Emily O’Leary, Associate Curator In 2008, the Hebrew Home acquired Leonard Ursachi’s work Hiding Place, an outdoor sculpture created for the New York City Parks in 2007 that was temporarily installed in Prospect Park in Brooklyn. The eight-foot-tall sculpture is formed from […]Read more "Erosion: Works by Leonard Ursachi"
Swords into Ploughshares: Sculpture by Jay Moss On view from July 15–October 7, 2018 Text by Susan Chevlowe, Chief Curator and Museum Director Over a period of several months in late 1943, Jay Moss’s combat engineer regiment traveled on landing craft from North Africa to the beachhead at Anzio, Italy, landing on January 22, 1944. […]Read more "Swords into Ploughshares: Sculpture by Jay Moss"
The idea of a watershed suggests a branching, be it of physical terrain, historical events or spiritual and aesthetic concepts. This notion is particularly powerful in conjunction with Jerusalem. The exhibition arc encompasses multiple divergences that begin with and come back to the geological topography of the Sacred City.Read more "Jerusalem Between Heaven and Earth"
Life is a journey. The places it takes us are unpredictable—sometimes disheartening but occasionally thrilling. Art is also a journey. The artist leads us—at least, those who pay attention—to places we have never been before, to realms of the imagination we have never encountered, and to paths toward truth we have never tried.Read more "Brenda Zlamany: 100/100"